Writing Woes: Re-Re-Outlining

Hey guys! Sorry I haven’t done any writing posts for a while. It’s not that I haven’t been actively writing. On the contrary, I spent the entire month of September re-outlining my story after I found all the pain-points in my 1st draft (finished in July); and then writing a scene-by-scene outline for the upcoming 2nd draft. So yes, I’ve done a ton of work, and it mostly went very well. I should be writing a Writing Joys post instead, because I feel like planning went smoother than I expected.

But now that I finished the scene-by-scene outline, I realized that even after my first few bouts of re-outlining, my story is still a wild, unwieldy mess. There’s still too much going on, and the goals of many of the characters are not clear. I’m actually pretty glad I caught this before I went ahead and started writing out the scene-by-scene outline into an actual draft. I’d say, if I were to compare this to programming work, a scene-by-scene outline is like a proof of concept, and it was immensely helpful to me to see what worked and what didn’t.

So what am I doing now?

I’m trying to create more post-able material on my Tumblr blog; and by “post-able,” that pretty much means art. I can’t post my writing, after all. The Fun Fact Fridays I started some months back have fallen so far off the back-burner I don’t know if I will re-start it (made more unfortunate because I think I only did it for 4 weeks). Unfortunately, I haven’t had a lot of success creating original art recently, because my heart just isn’t into it. I have a list of artwork that I keep for times like this, but I tried striking one off the list, and I was just incredibly bored and impatient while drawing it. So I stopped yesterday, thinking I’m probably better off doing other things.

Now, I’m focusing on research and re-outlining once again to address the problems I saw on my scene-by-scene outline. Some books I’m currently reading:

2K to 10K by Rachel Aaron is a writing book that gives advice on how to increase your word count for every writing session you take. Rachel Aaron is one of my favourite authors (her Legend of Eli Monpress series is one of my absolute faves); not only is she traditionally published, she is also independently published. Like she says in the book, if she doesn’t write, she doesn’t eat. And while I do have a day job, or a primary career that I don’t plan to quite any time soon (or ever for that matter), I am still interested in increasing my writing pace. Actually, this is probably the main reason. Because I have another job, I don’t actually get a lot of writing time; and because I don’t want to be writing a single novel for the next 15 years, I want to be more efficient every time I sit down for an hour after I come home from work.

Paths of Origins is a rare-book about Island Southeast Asian artifacts, from jewellery to weapons textiles. It focuses on the Philippines and Indonesian archipelago, which means this book is a gold mine for me. I swear, every cent I paid for this book is more than worth it, even though it was kind of expensive since it’s rare. The high-resolution pictures are an incredibly valuable resource for me, my story and my artwork. The history in this book is amazing, and I have a firm belief that history books in the Philippines should look to this one on how to talk about pre-colonial history. In the ’90s when I was studying in the Philippines, I was still learning about the three-wave migration theory, which apparently was disproven by William Henry Scott and many other historians and archeologists in the 70s. 20 years later, my school was still feeding us outdated information. I hope that new learnings like the ones found in this book would eventually find their way to schools.

The Art of War is a book I saw referenced by Marie Rutkoski in her Winner’s trilogy. I looked it up and decided to read it, because there are a lot of militaristic angles to my story as well, and I thought it’s better I was educated about it. And it really is. After reading only the first 4 chapters, I’ve realized that there are some glaring plot holes in my story. So there you go. The more you know.

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August Artwork

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After writing every day during Camp NaNoWriMo in July, I really took the time to focus on art in August. Considering that it usually takes me 2 weeks to make a complete artwork, I think having finished four is good turnout for me. It’s a mix of fanart for The Queen’s Thief series as well as my original project.

July 2017 Camp NaNoWriMo

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Woot! So I’m a winner in this month’s Camp NaNoWriMo!

Alright, so I might have cheated a little bit and bumped down my target word count from 50,000 to 40,000. That said, my goal for this camp was to finish off my first draft, and finish it off I did! There were some parts that I was unsure about, and had to write a detailed outline instead of writing it out fully; there were other parts that made sense in my initial outline but no longer did by the time I came to it, so I just jotted down some notes to remind myself to fix it later on. But I suppose these are what first drafts are for.

 

Writing Woes: My Bad Habits as a Fanfiction Writer

It’s July! That means it’s Camp NaNoWriMo! So far, I’ve been lucky to find the time to write so that I am, on average, hitting my word and plot goals. This month I plan to finish off the first draft to my novel, and I’m trying to do that in around 50,000 words.

The first two times that I participated in NaNoWriMo (the official one last November, and the camp version in April), I tried to employ the techniques I used as a fanfiction writer to churn out enough words and get my story moving. As you know, I have been writing fanfiction for 13 years, so I thought that if I had been able to write for that long, then I must have been doing something right.

I don’t think I was wrong in assuming that. But I think I was wrong in thinking that all the techniques I used to spin out story after story would apply to original fiction. Comparing how much better I’m doing in my third NaNoWriMo than the first two, I think I’ve sorted out which habits I used for fanfiction that aren’t translating very well to my original story.

1. Show, Don’t Tell

Yup, you read that right. This is such a common advice for making your story better all the time, but I find that this isn’t the case for me. At least, it isn’t the case right now in my first draft.

I know why people duke out this advice frequently. I’ve read my fair share of books that just aren’t immersive. The best reading experience is when you feel, as a reader, that you’re part of the world you’re reading. To give this experience, writers must “show, not tell.”

The catch with this advice is that, IMHO, you really should not be showing all the time. This is a technique that I used as a fanfiction writer so that I could churn out those 15,000 word chapters that are so popular in fandoms. The more words you write, the more material your readers can engage in. That’s what they like. And fanfiction chapters are no big commitment to readers; they’ll gobble the stuff up at midnight, and wait (impatiently or patiently) for the next chapter.

So to beef up my chapters, I used to show everything. A character walking up the stairs? Yup, I’ll show how he took one step and the next, and I’ll probably describe what kind of internal conflict is prancing to the beat of those steps. I once read a fanfiction that described someone slipping and falling in so much detail, that it took more time for me to read the passage than for the character to fall.

While I think this is excusable in fanfiction, in the first draft of my original story I realized that it’s holding me back. When I need to advance the plot in the grand scheme of my story, does it really matter what the characters are eating for breakfast and how they’re eating it and what they think about it? Do I really need to spend a page describing said breakfast? Because really, that’s what showing means. Showing is supposed to bring the readers along for the ride, and how can readers be immersed in the experience of breakfast if I don’t describe it?

The thing about writing that I’m discovering rather quickly is that not everything is important. If something is not going to make a very big impact in your book, or it’s not going to advance the plot or the characterization in some way, it’s probably best if you keep it out. Hence, it’s totally okay to just say, “Bob and Bill had breakfast, and then drove away.”

Because this is an advcie that I see everywhere, I’m still trying to get used to the idea that I can just “tell.” But for the first draft, I know that I can always plump up my scenes later after I’ve established what exactly is important or not.

2. Resort to Introspection

I love, love, love introspective fanfictions. All those times we’ve wondered what a character was actually thinking in a particular scene? Or perhaps I’m reading an AU and I want to see how their mind works in this new world? I’m game! Introspection is one of my indulgent guilty-pleasures.

So naturally when I write, I tend to resort to introspective scenes quite often. I do it primarily to fill up my word count in a show-y kind of way (as I mentioned above), but I also do it to open the characters’ minds up to the readers. My one-shots are usually full of introspection; my multi-chaptered fanfictions that have overarching plots have less introspection, but they are still noticeably there.

And here’s why I think too many introspective passages won’t work so well in original fiction: you want to leave some of those inner dialogue up to the reader. There’s a reason why I’m attracted to introspective fanfiction, and it’s because I didn’t get them in the canon material. But depending on what kind of story you’re writing, the main job of the canon material is to tell that story effectively in a limited number of space; the thing is, you’re not always going to have the luxury of giving a blow-by-blow account of what your character is thinking, and chances are, there are more important parts to the story you should be writing instead. Now, don’t get me wrong. I am primarily geared towards character-driven stories moreso than plot-driven ones. All I’m saying is that we don’t always need to be in their minds all the time. Sometimes, it’s sufficient to just see through their eyes.

That said, I totally understand that there are novels out there whose primary job is to get us into a character’s head. Mrs Dalloway, anyone? But considering that I’m writing a children’s fantasy adventure story, there are other things that I might need to be developing.

(Late reminder, but from now on, when I say “story,” assume I’m talking about genre fiction at the very least, or more specifically, fantasy fiction.)

3. Write 10,000 word chapters

As a natural result of the first two, my stories tend to have extremely long chapters. Each of my fanfiction chapters have at least 3 scenes in it, whereas a typical chapter in a real book probably deals with only one scene at a time (not all, but mostly).

I realized how much this held me back in writing my original story, because I wouldn’t feel comfortable ending a chapter within, say, 1000 words even though I’ve already written what needed to happen in that scene. And I’d go, “How can I make this longer?” And so I would resort to #1 and #2. That meant I was spending time not advancing the story in any meaningful way. Ironically, because I was so used to padding my chapters with #1 and #2, I didn’t think about writing more effective scenes in their places. I would feel “stuck” on a chapter, because that other scene that would advance the plot obviously belonged to the next chapter, and I would keep postponing it. Terrible habit.

4. Take Weeks To Write a Chapter

And this definitely follows from the first three. As a fanfiction writer, I set my goal for finishing each chapter within two weeks. For 10,000 words this seemed reasonable, especially because I’m a commuter and I work full-time. But sometimes, even when nothing is happening in a chapter, I would wait out those two weeks and try to churn something.

It took me a while to convince myself that I absolutely don’t need to spend two weeks on a chapter. I could write whatever I can today, and if tomorrow I feel like there’s nothing left in a chapter to work on, I could move on.


Well, when I started this last week, I think I had more example of bad habits on my mind. Now that I am finishing up, I realize I can’t think of anymore. So why don’t I take some advice from myself, and it this post right here? =)

Writing Woes: Bored of My Own Characters

You know that saying, “How do you expect people to love you when you don’t love yourself?” Or I don’t know, something along those lines, though perhaps not quite so harsh, as I’m sure I’ve seen that saying on several get-well sites.

Well, that’s how I’m feeling about my own characters. I have talked about this before in this other post. Before that, I also mentioned being bored of my own story. I have taken a break from my story for several weeks, and I am now gearing up for next month’s Camp NaNoWriMo. I have dusted off my notes, and once again, refactored the plot. I spruced up the characters. I have read and reviewed three writing books.

Here’s the thing. I don’t think the problem is with the concept of my characters or the concept of my story. I think the problem is with me, the writer. Let me clarify what I mean about that. When I think of my story, I get very excited… but only if I am thinking about it from the point of view of a reader. The concept I have come up with is something I have wanted to read for a long, long time and the main reason I decided to write this story is because I am done waiting for the market to cater it to me. A lot of the plot points I constructed for my story are ones I would love to read about. Same with the characters; I created my characters, if not similar to the characters I love from other books, at least to possess qualities that I know I would like as a reader.

And this is the problem. I’m more interested in reading my story than I am in writing it.

The writing books don’t help at all in this regard. All of the writing books I’ve read try to instruct writers in how they can make their story enjoyable for their readers. However, none of them have any advice for how authors can enjoy writing their own stories. And I suppose that’s my main concern. Is it possible for readers to enjoy what I write, when me, the writer, doesn’t enjoy what I’m writing? From the quotation at the beginning, it seems unlikely.

I haven’t figured out yet how to solve this particular writing problem, since like I said most writing books out there guide writers on how to please their readers, rather than to make the task of writing enjoyable. If anyone out there knows of writing books that does the latter, I’d be very pleased to take recommendations!

Writing Woes: Somebody’s Getting Axed

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Well, I think I’m realizing more and more how isolating an endeavour writing can be. Considering how many times I’ve fallen into writing angst in the past several months, I think it’s safe to say that I’m far from the image of the highly energetic, happy-go-lucky writer that I imagined myself to be while working on a fun, light-hearted adventure story. Clearly, I’m not have as much fun as my characters, that’s for sure.

And it seems as if several of them won’t be having fun any longer either.

Continue reading “Writing Woes: Somebody’s Getting Axed”

Writing Woes: Killing Characters and Resurrection

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To kill or not to kill?

Okay, that sounds super creepy, I know. But I’m talking about writing stories, so *whew*, no worries about that.

I’ll be the first to admit that I’m a sucker for happy endings. There are many books, movies and shows I’ve refused to watch, because people told me that some major character would die, and that they would have sad endings. And here comes the dilemma. How do I balance my taste as a reader with the need that, as an author, I also want to write something meaningful and effective?

Okay, I want to unpack that a little bit, because it’s clear that I’m making some assumptions. I do believe that a story can still be powerful even though nobody dies. At least, nobody I like dies. I know that. I’ve read and seen many books or shows where that was true. For example, Spirited Away. (The MC does lose her memories though, and that’s another can of worms.)

However, at the same time, as a writer one of the most common advice I’ve seen is that you have to deal with the topic of death. So in a way, death still has to be present in your story. Death increases the stakes at risk in the conflict. Death, ironically, gets people thinking about life. I think one show/manga that handled this so effectively is Fullmetal Alchemist. There, people I cared about died. And it was to the beat of the most important lesson in the series: that you can’t gain anything without sacrificing something in return.

I’ve seen so many times from book or show reviews that people not dying cheapens the message of the story. On the other hand, I’ve also seen reviews were people were annoyed at certain character deaths, claiming they were for shock value.

In my story, I am hopping back and forth between killing a major character or not. The sap in me wants to keep her alive, but I’m afraid I would just be resorting to a cheap cop-out. On the other hand, if I kill her off, I get this bitter taste in my mouth, as if it doesn’t feel right. And I do get that whisper in my head, “Leng, maybe you’re just way too attached to this character! That’s why you don’t want to kill her when you really should!”

But should I, really? How do I know?

Personally, I would rather err on the side of the cheap, because I’m not a fan of just killing characters for the sake of the gasps. But I still want to know if in the process of sparing my character, am I actually undermining some of the messages in my story?

That brings me to the next point: resurrection. I could kill her, but in the spirit of my favourite childhood anime, Dragon Ball, I could bring her back to life. And no, I don’t mean I’m actually collecting all seven dragon balls. I could pull one of those twists where it seems like she died, but she didn’t. Or that she almost died but there’s a recourse that can save her.

I’ve been a member of multiple reading communities for many years, and apparently this twist is not a popular one. A lot of people hate it, and I’m going here, “Why?” Because I love it! (Come on, at least let’s admit that it’s a better trope than the love triangle, please?) To be clear, I love it in the context where one of my favourites die, of course. I couldn’t care less if someone I don’t like dies. However, here are some of the reasons why some people are not fond of this trope: a) they already grieved the character, and they feel cheated for having been forced to grieve when there was no point; and b) it’s usually pulled in a way when only one character gets a second chance, and thus elevates said character above any other who sacrificed their lives in the story.

I find a) surprising, because personally I don’t grieve a character until I’m absolutely sure there’s no chance of them coming back, and that usually means finishing the book or the series. (I was still half-convinced that Finnick would turn out to have lived at the end of Mockingjay, for example. And even then, I’ve constructed an AU of their world where Finnick actually lived, so there.) So I was actually surprised to find that readers begin grieving and burying their faves without reaching the end. But I guess we all handle death scenes differently.

And for b), I do actually agree with this. If I do end up bringing my character back to life (if I do end up deciding to kill her), it will be in such a way that she’s no more special than the others who got killed in the same way she did.

I haven’t formed any concrete opinions about this yet. I’m mostly leaning towards bringing her close to death then pulling her back, but we’ll see.

What do you guys think? Are these twists something you particularly like or hate? Or it depends on the story and how the twist is pulled off?