Hi guys! Before I jump into the meat of this post, I’d like to say that I hope you are all doing okay. Wherever you are, I know there is a lot happening. No matter the degree of severity, we’re allowed to feel stressed and uncertain about our situation.
I’m probably one of the lucky few whose lifestyle wasn’t affected too much — the company I work for was able to transition smoothly to a full-time virtual environment, and all the things I love to do like reading, writing, and drawing, are things I can do at home. And yet, the past couple of weeks have been bone-wearying for me. Change is hard, even if only a few small things changed in my life. The constant barrage of tragic news makes it nearly impossible to enjoy the things I used to do, even at home. The conflicting reactions to stress creates tension in a household I can’t leave. One would think that with stay-at-home policies in place, I would find all the time I needed to really dive into the last stages of my writing. But the fact is that I’ve been wallowing a bit. I know, it’s not a good excuse, and I have resolved to do better.
I hope that wherever you are and however you are dealing with the pandemic, that you will stay safe and strong!
I will be writing the final draft of my story next month, and I thought it’s a good time to reflect on the journey that has brought me to this point. In the end, I will have a total of 7 drafts. A part of me feels that’s too few — I know that some writers go through dozens of drafts. But on the other hand, 7 drafts in 4 years feels like a lot, especially considering that I was doing all of this on the side.
Drafts 1 – 3
For the first couple of drafts, I was mostly concerned about the main plot of the story and the characterization of my protagonists. These first several drafts focused on getting all the pieces into place in a way that makes the most narrative sense. I didn’t worry much about grammar or style.
A lot of the editing that went into these drafts was related to structure. I read a lot of writing books about plot points and character arcs.
I was constantly at K.M. Weiland’s website for writers, Helping Writers Become Authors, which if haven’t checked out yet, you totally should! She gives away a lot of amazing tips and helpful content for free (though if you want to support her, her books come at a reasonable price too!)
After finishing the 4th draft, I decided I wasn’t going to get anywhere further with just my own eyes looking at this story. I knew that at this point, I needed help. I had a couple of friends I knew who were willing to read my draft and provide feedback, and I had also come across a beta-reading platform on Tumblr that was supposed to make this entire process easy.
I uploaded the 4th draft on BetaBooks and sent a link to my story to my friends. I think this platform is really cool, because it allows you to gather feedback just in one place. You don’t have to worry about sending out copies of your story to multiple people, and going through email or chat threads. I had bought the standard monthly subscription, which allows you to upload up to 3 different novels and invite up to 20 people for each. That was more than sufficient for me at that time. BetaBooks also has a feature where users get to comment on specific lines on your story, which my friends really enjoyed.
After gathering feedback from my BetaBook readers, I re-wrote the story again. My readers were diverse, but I was looking for someone who could also comment on the way I took inspiration from precolonial Philippines. It’s quite a niche area of history, and I only know a couple of people online who had the same interest in it as I did.
I reached out to a blogger who ran one of the biggest historical websites about precolonial Philippines, hoping she could be a beta/sensitivity reader. My interaction with her was amiable at first, but when the deadline for the feedback approached, I stopped hearing from her. I had already paid her half of her reading fee. To this day, I still haven’t heard from her. She was a big presence in the online community surrounding Philippine history, and she had just stopped updating her website and her social media platforms. I don’t believe she ghosted me on purpose. She’s much too important to the online community for me to affect her to that degree. Sometimes I still see her instagram account and wonder what happened to her.
With no other ideas and with the months ticking by, I decided to start shopping around for a professional editor. Previously, I had come across a new middle-grade book on Goodreads called The Dragon Warrior by Katie Zhao. As I often do when I find an interesting book whose author I didn’t know yet, I had checked out Katie’s website. Lo and behold, she had an editing service! I had bookmarked it, and Katie was one of the first people I reached out to when I started looking for an editor.
Luckily, Katie was available, and we agreed to a price and timeline for developmental editing. She was a lovely person to work with, and the feedback I received from her was very valuable. If any of you have read the latest draft and thought how much stronger Anina’s character arc was, you’ll have to thank Katie for pushing me to go that far.
Taking Katie’s feedback, I rewrote several large chunks of my story. It was also at this time that I read a book called Understanding Show, Don’t Tell by one of my favourite middle-grade authors, Janice Hardy.
In this latest draft, I really focused on my prose, how to effectively show what’s happening without being too wordy. I managed to whittle away almost 15K words from the previous draft and still come out of it with what I consider stronger writing.
I was more or less comfortable with the way the story was told at this point. All I needed was the final touch-ups. That, and an additional Filipino perspective. I was still disappointed about being ghosted by my Filipino beta-reader (whether intentional or not), so I decided that I was going to seek out a Filipino copyeditor.
I didn’t know anyone. So even though it might have seemed cheeky, I reached out to a Filipino-Canadian author named K.S. Villoso (yes — that K.S. Villoso whose book, The Wolf of Oren-Yaro was just acquired by Orbit). I wasn’t expecting a response, but she replied to my email with a couple of contacts from her network!
Stef Tran had a comprehensive editing service, so I contacted her. She doesn’t freelance full time anymore as an editor, but she still agreed to take on my story for a longer turnaround time. I was okay with that. Stef still managed to provide the service within 30 days, more or less. I am eager to dive into her edits and finally give my story its last flourishes!
Through Stef, I also managed to get in touch with a new Filipino beta reader, Myta Santiago. Myta was awesome — they finished reading my entire manuscript in a week! Their feedback put to rest many of my anxieties regarding the setting, and made me feel more confident about the plot and characters.
So there we go! As you can see, it was quite a journey. For the most part, I’ve had very positive interactions with beta readers and editors, and I think that my story is so much more stronger because of all of their input. I am very thankful that I was able to work with these many people. From the outset, I had friends who were super supportive about my story, and without their encouragement, I would not even make it past draft 3. I also feel very lucky that I live in a time where most of these transactions are virtual. It was very convenient for me to look for editors through the web, and to send a digital version of my manuscript to them. I heard that in the good, old days, you had to print your manuscript double-spaced and send it via mail! Goodness!