And it’s time for my monthly reading recap! I’m proud to say I actually did well this August. At the beginning of the month, I was 4 books behind my Goodreads Reading challenge, and now I’m one book ahead. To be fair, two of these “books” were comic volumes, but hey, I needed the boost.
To Say Nothing of the Dog by Connie Willis
Aaand, starting us off, we have a sci-fi classic! To Say Nothing of the Dog is about a bunch of historians who time-travel, and find themselves pulling forward into the future an member of an extinct species: a cat! And before this destroys the time-space continuum, Ned Henry and Verity Kindle must return the cat and fix the incongruities they’ve introduced.
This was a lot of fun! Although I found the beginning quite tedious and a little difficult to get into, once you pass the quarter mark, it gets very entertaining. And the end offers a really pleasant twist that you might not have seen coming. (Not the butler though; I saw the butler thing coming, hehe.)
“Show, Don’t Tell” is one of those really popular writing advice that I keep struggling with. Maybe I just haven’t read enough guides on how to do it well, but it’s probably safe to say that at this point, I’m not a fan of this advice. My biggest issue with it is that people who give this advice rarely illustrate how much to show.
So, so, so. This is totally unrelated to writing or reading or any of the things I usually post.
I’ve been driving to work for about a week now. I’m still very much a beginner — I only received my G2 license at the end of May, after all, and I did pretty limited driving since then. At the beginning of this month, I was able to secure a parking space at a train station on a line that has a stop 5 minutes away from work. Very convenient. The drive from my home to this station is about 30-40 minutes, but it’s in one straight line.
You know, I’ve always been one of those pedestrians who shake their head at drivers who do stupid things, and I also live in an area with an inflated insurance rate because people here are supposedly “bad drivers,” so I’ve always sworn I was going to be a Good Driver!
The Secrets of Solace is the 2nd book in the World of Solace Series. I read the first, Mark of the Dragonfly several years ago and I remember liking it very much. This book is a standalone like the first, dealing with an entirely different cast set in a different part of the world. In this book, we follow Lina, a young archivist, who finds a mysterious airship stuck in the tunnels of her home. She befriends a boy named Ozben who happens to be on the run from assassins.
I thought that this book had the same imaginative story and characters that the first book did, but it didn’t have the same sense of adventure. Perhaps because Lina and Ozben spend most of their time in the strongholds of the mountain where the archivists live. The plot enfolds only in that place until the climax. What I really liked about this book though is how Lina and Ozben’s character arcs intertwined.
It’s been a long time coming. This volume has been in the works for almost 2 years, and I am so, so honoured that the piece I submitted was accepted. My short story is called The Goddess of Debt and it’s about a young woman who is unexpectedly chosen to be a human sacrifice. Yikes, I know that sounds a little morbid, but the story isn’t really about the sacrifice, as it is about the Goddess who offers her a way out, and about whether she will take it or not.
For those of you who may not be familiar with the PSF series, it is an annual anthology that celebrates speculative fiction written by Filipinos about Filipinos for anyone at all who is interested in the genre. It’s one of the few avenues out there that brings Filipino stories out to the world. The good news for you is that all the stories in the anthologies are written in English. So please support it if you can! It would mean a lot to me, whose piece is the first original fiction I’ve written that has ever been published, and to the producers of the anthology who work tirelessly year after year to serve an underserved area of fiction.