In this post, I’m going to focus for a moment on my full-time job. I know that this blog is mostly filled with my hobbies and personal projects so it might seem like those are the only things I do. However, a good chunk of my life actually revolves around my career in tech.
I started my internship as a data scientist at the beginning of the month. It’s my 2nd full-time job as a computer scientist, and in some ways, I cannot help but compare it to my 1st full-time job. I worked as a front-end software engineer for over two years in a smaller company. Both companies are great, filled with talented people I get along with. More importantly, at both companies I am doing work that I am passionate about even though they are different.
And that’s what I want to focus on in this post: the difference between my experience as a front-end software engineer from a small start-up(-ish) company, and my impression so far as a data science in a much, much larger company.
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Alright, in an effort to liven up this blog from my incessant writing woes posts, I’m going to take a moment to talk about some of the books I’ve read this month so far. I think if I read really quickly, I might be able to read one more book before the month is up.
Story Genius by Lisa Cron
I’ve been having a lot of difficulty writing the first draft of my story, mostly because I had a hard time really writing from any of my characters’ perspectives. This book was recommended to me in response to that.
I think the most valuable lesson I learned in this book is how every story that captivates readers sufficiently is ultimately a character-driven story. I’ve read many writing books before, and some of them distinguish between “plot-driven” and “character-driven” stories. In Story Genius, Lisa Cron explains why any kind of meaningful story is actually character-driven, no matter if the plot has tons of exciting things going on.
I know, it’s not a ground-breaking concept. Even in my own reading experience, I tend to gravitate towards books where I sympathized with characters the most. And I think her explanation brings home why this is so: an event in a story (in other words, the actual plot) has very little meaning unless the character gives us a context in which to make sense of that event. So really, even your most plot-driven story, if it’s good, is actually anchored by the protagonist.
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Well, I think I’m realizing more and more how isolating an endeavour writing can be. Considering how many times I’ve fallen into writing angst in the past several months, I think it’s safe to say that I’m far from the image of the highly energetic, happy-go-lucky writer that I imagined myself to be while working on a fun, light-hearted adventure story. Clearly, I’m not have as much fun as my characters, that’s for sure.
And it seems as if several of them won’t be having fun any longer either.
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